![]() On the “closer to straight science fiction” front comes this year’s monumental adaptation of H.G. ![]() Many different styles of special effects would be used to bring such creatures to life over the course of the next decade, but few retain the charm of Harryhausen’s intricately detailed models and miniatures. This fascination with nuclear weaponry as an instigating factor or scapegoat would be used to endless length in the creature feature revival of the 1950s, as giant reptiles or insects took on the physical role of embodying the existential fear of an epoch. Audiences had been primed for the tale by the 1952 theatrical re-release of King Kong, with special effects from Harryhausen’s mentor Willis O’Brien, but The Beast from 20,000 Fathoms is notable for the way its rampaging monster, a fictional “ Rhedosaurus” dinosaur, is explicitly stated to have been released from polar ice via atom bomb testing. In particular, the “giant atomic monster” movie gets its start here in the form of The Beast from 20,000 Fathoms, featuring the unleashed stop-motion animation talents of Ray Harryhausen. Via both its fusion with science fiction, and the evolution of classical horror into the Technicolor era-simultaneously an era of brand new gimmicks and styles of presentation-the genre managed to introduce itself to a new generation of filmgoers.ġ953 proves to be a highly influential year for a number of sub-genres. You can see the full list in the master document, which will collect each year’s individual film entry as it is posted.įinally, after nearly a six-year gap since 1947, we have a year where the horror genre feels like it’s been fully reanimated. This post is part of Paste’s Century of Terror project, a countdown of the 100 best horror films of the last 100 years, culminating on Halloween.
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